My time-elapse photo of the Boston Marathon and the technique I used to capture it are featured in the February 2012 issue of Popular Photography magazine.
© 2012 Laura Barisonzi. All rights reserved.
© 2012 Laura Barisonzi. All rights reserved.
My time-elapse photo of the Boston Marathon and the technique I used to capture it are featured in the February 2012 issue of Popular Photography magazine.
© 2012 Laura Barisonzi. All rights reserved.
A wintry day at Great Falls, soon to be a National Historical Park in Paterson, New Jersey.=
© 2011 Laura Barisonzi. All rights reserved.
© 2011 Laura Barisonzi. All rights reserved.
Barbara Goldman of Photo District News wrote a thoughtful article explaining my recent personal project on Chinese Martial Arts which I photographed this summer all on location in China. Read the whole article here at PDN Online.
© 2011 Laura Barisonzi. All rights reserved.
In case you are not flying United this month check out this feature story I shot in Wuxi, China for Hemispheres, the United Airlines magazine. The story is about the training camp that the MLB sponsors in China to find … Continue reading
© 2011 Laura Barisonzi. All rights reserved.
WUSHU Today I posted my new personal project on Wushu (also known as martial arts or gongfu). This project, shot in various cities in China, was one of the more long-term and challenging ones I have worked on but I … Continue reading
© 2011 Laura Barisonzi. All rights reserved.
Here are two tear sheets for ads I recently shot on location for Poland Spring. The first one was shot in Boston on location for Poland Spring’s sponsorship of the Boston Marathon and the second one shot in NYC more … Continue reading
© 2011 Laura Barisonzi. All rights reserved.
15+ onlookers, multiple amateur shutterbugs trying to grab shots of your subject, small children wandering onto the set? Just another day shooting on location in China.
© 2011 Laura Barisonzi. All rights reserved.
Brooklyn Bridge from a helicopter.
© 2011 Laura Barisonzi. All rights reserved.
This diving board photo was shot with a Nikon 300mm lens. Sometimes getting far away and zooming in is the best way to isolate textures.
© 2011 Laura Barisonzi. All rights reserved.
These set shots and tearsheet are from my recent shoot for Knorr with British celebrity chef Marco Pierre White.